Heart score︎︎︎
Locate yourself within the site and pause, breathe and physically ‘arrive’ in the site.

Place your hands on your chest and feel the rhythm of your heart, breathe deeply and tune in to the rise and fall of the breath and the rhythm of your heart.

Follow this internal rhythm of beat and pause, ebb and flow and allow yourself to move in the site in response to this pulse.

Observe the atmosphere and intensity of the site, explore the body’s pulse in relation to the rhythm of the site,

How does your inner rhythm engage with, merge and respond to the site?

Focus on your heart, take it on a journey through the site, explore the opening and closing of the rib cage, how does the heart open itself to and respond to the site?

Play with the unfolding rhythm as your heart responds to and moves with the site, wait for and respond to your body’s impulse to move, exploring the resonance of the heart beat through the body, how does this invite the limbs, head, and spine to move, how might a dance with the site evolve?
Welcome to mapping collaboration, a toolbox for workshopping and creating across disciplines...

In spite of a long history of interdisciplinary creation, from our earliest recorded arts to our present moment, artistic pedagogy has created divisions between disciplines. This has left artists in a "post-Babel" condition where we don't share the same language and definitions. It’s also encouraged artists to develop practices for devising, creating and composing work that are distinct to their disciplines.

The inspiration for this project came from faculty and students at Simon Fraser University’s School for the Contemporary Arts where BFA, MFA and PhD programs in Dance, Theatre Production and Design, Visual Art, Film, and Music and Sound all work together in studio settings and playfully experiment with processes of art-making.

We wanted to create a database of projects, assignments and theory that we collect inside the studio and from research happening in other places. We are curious about how we collaborate and how structures reoccur, translate and deviate from one discipline to another.

Composition is central to these processes and offers a base for our approaches and experiments. We are excited about what our students are doing and inspired by the new languages in contemporary art and performance we continue to see develop.

︎︎︎select a category above to build assignments, learn more about how artists process ideas across disciplines and to create a collaborative process of your own

︎︎︎these tools are collected and used in workshops and classes; some are resources from artists; some are quotes about art-making and how bodies think and listen; others are ideas to expand and disrupt your own training and processes.  


︎︎︎Each idea is intentially short- and not meant to be executed as written, but to be adapted to your own practice and specific project/context. Some may be taken in parts or combined with others to spark new ways of training and making together.

︎︎︎submit your own ideas and tools so we can keep building this site!