Terms ︎︎︎
What terms do we use when we talk about form? What elements of composition help us get at an overall sense of structure or experience?
Which terms speak to something taking shape (a gesture, a shape) and overall compositional form?
Reviewing and buildiing on these terms is a good exercise for making and collaborating.
Archetecture
Coherence
Container
Context
Compound
Mise en scene
Plot
Sequence
Structure
Tracks
Story
Spine
Theme
Transition
Other Compositional Forms:
Binary (AB) - A compositional form with an A theme and a B theme. The binary form consists of two distinct selfcontained sections that share either a character or quality, i.e., the same tempo, movement quality, or style. ·
Ternary (ABA) - A three-part compositional form in which the second section contrasts with the first section. The third section is a restatement of the first section in a condensed, abbreviated, or extended form. ·
Rondo (ABACAD) - A choreographic form of three or more themes with an alternating return to the main theme (ABACADA).
Theme and Variation (A, A1, A2, A3- uses same movements but composed through retrograde, inversion, transposition)
Which terms speak to something taking shape (a gesture, a shape) and overall compositional form?
Reviewing and buildiing on these terms is a good exercise for making and collaborating.
Archetecture
Coherence
Container
Context
Compound
Mise en scene
Plot
Sequence
Structure
Tracks
Story
Spine
Theme
Transition
Other Compositional Forms:
Binary (AB) - A compositional form with an A theme and a B theme. The binary form consists of two distinct selfcontained sections that share either a character or quality, i.e., the same tempo, movement quality, or style. ·
Ternary (ABA) - A three-part compositional form in which the second section contrasts with the first section. The third section is a restatement of the first section in a condensed, abbreviated, or extended form. ·
Rondo (ABACAD) - A choreographic form of three or more themes with an alternating return to the main theme (ABACADA).
Theme and Variation (A, A1, A2, A3- uses same movements but composed through retrograde, inversion, transposition)
Welcome to mapping collaboration, a toolbox for workshopping and creating across disciplines...
In spite of a long history of interdisciplinary creation, from our earliest recorded arts to our present moment, artistic pedagogy has created divisions between disciplines. This has left artists in a "post-Babel" condition where we don't share the same language and definitions. It’s also encouraged artists to develop practices for devising, creating and composing work that are distinct to their disciplines.
In spite of a long history of interdisciplinary creation, from our earliest recorded arts to our present moment, artistic pedagogy has created divisions between disciplines. This has left artists in a "post-Babel" condition where we don't share the same language and definitions. It’s also encouraged artists to develop practices for devising, creating and composing work that are distinct to their disciplines.
The inspiration for this project came from faculty and students at Simon Fraser University’s School for the Contemporary Arts where BFA, MFA and PhD programs in Dance, Theatre Production and Design, Visual Art, Film, and Music and Sound all work together in studio settings and playfully experiment with processes of art-making.
We wanted to create a database of projects, assignments and theory that we collect inside the studio and from research happening in other places. We are curious about how we collaborate and how structures reoccur, translate and deviate from one discipline to another.
Composition is central to these processes and offers a base for our approaches and experiments. We are excited about what our students are doing and inspired by the new languages in contemporary art and performance we continue to see develop.
︎︎︎select a category above to build assignments, learn more about how artists process ideas across disciplines and to create a collaborative process of your own
︎︎︎these tools are collected and used in workshops and classes; some are resources from artists; some are quotes about art-making and how bodies think and listen; others are ideas to expand and disrupt your own training and processes.
︎︎︎Each idea is intentially short- and not meant to be executed as written, but to be adapted to your own practice and specific project/context. Some may be taken in parts or combined with others to spark new ways of training and making together.
︎︎︎submit your own ideas and tools so we can keep building this site!
︎︎︎select a category above to build assignments, learn more about how artists process ideas across disciplines and to create a collaborative process of your own
︎︎︎these tools are collected and used in workshops and classes; some are resources from artists; some are quotes about art-making and how bodies think and listen; others are ideas to expand and disrupt your own training and processes.
︎︎︎Each idea is intentially short- and not meant to be executed as written, but to be adapted to your own practice and specific project/context. Some may be taken in parts or combined with others to spark new ways of training and making together.
︎︎︎submit your own ideas and tools so we can keep building this site!
