Real-time composition
In this work, we set up a space for improvisation that is focused on composition. Each participant is making choices based on what the space needs, while keeping an awareness of the outside picture. There is always a space to exit the playing space, to reexamine and make a new choice to enter again.

  • Make a choice
  • Commit to it and go
  • Leave when you are done
  • Repeat


As a large group, it’s great to assign rolls before beginning and give time to develop ideas.

  • Choose a theme
  • Break into groups (players, designers, sound, lighting)
  • Go away to build ideas
  • Come together and improvise
  • Call out: pause, reverse, solo, duet, trio, clear the space, etc.


Roles: players, light, video, sound, visual design


Players: inhabit the space, movement, text

  • Off space: make a choice and re-enter
  • Question: what does the space need?
  • Choices: Go with the simple—not always first idea—when out of an idea... leave.


Lighting: units and range of sources

  • Make choices about what sources to include
  • Move within and outside the working space
  • Bring focus/open to change


Video: pre-loaded images, real-time camera and projection

  • make choices about images/ light/spatial arrangement
  • move within and outside the working space
  • bring focus – make change- open to change


Sound: acoustic, electronic, vocal

  • Make choices about instrumentation
  • Move within and outside the working space
  • Bring focus, make change, open to change


Visual design: set, props, spatial dimensions

  • Make choices about how the space will be arranged: props, parameters
  • Move within and outside the working space
  • Bring focus, make change, open to change

︎︎︎from Rob Kitsos; see also João Fiadeiro